Here is a list of things that people say that make me crazy:

1) I’m writing a book

2) I think I have a book in me

3) I really think I could write a book if I just had the discipline

4) NaNoWriMo is just my favourite holiday

5) I am shopping my NaNoWriMo Novel but I’m not getting any bites so far

6) You can buy my (self-published) novel on Amazon.

7) Why haven’t you downloaded my book, it’s only $0.99 on the Kindle store this week

8) Will you read my book?

9) You used to be so much more prolific – what happened?

10) You should write a book.

Sarah, Kat, Kim & I are continuing to host Reverb through 2016 as a way to share writing prompts and providing a space for writers via our Facebook group. Here’s (a very late entry for) July’s prompt. 

July’s prompt // Freedom: What is freedom to you?  How do you celebrate freedom in your daily life?

We are in a Copenhagen bar talking about our brothers.

We have run two half marathons in two countries in two days and I am shocked that I have finished. I say that running is mostly mental for me – when I run, I think about music; my dog; kissing and being kissed; the sun setting into the Pacific Ocean; running with my brother. I think about happy, positive things, because to become tangled up in the voice of self-doubt during a race is Game Over.

But it is a lie to say that I have just run 26.2 miles in two countries in two days by the power of positive thinking. I have just had both of my hips and a knee reconstructed and been diagnosed with a serious collagen disorder – whether I admit it or not – running is intensely physical.

We are here because in December, I had messaged a group of running friends suggesting we sign up for the Copenhagen Half Marathon – Smplefy; eee; Nat, and their respective partners, Laly, E, and Fox, who would come along to Sherpa. I’m not entirely sure why I did this, but it Seemed Like a Good Idea at the Time. Everyone quickly signed on to this suggestion and added another half marathon in Oslo – even the partners were keen to go (except Paul, who begged off).

So we have each finished triumphantly, albeit for different reasons, and now we are in a bar, wearing matching shirts and our race medals, and we are talking about our brothers.

Nat’s brother died almost a year ago; Laly’s brother died about ten years ago. My brother is alive. I say this in my head, and I chew it and turn it over like a wad of gum in my mouth: My brother is alive.

It is not to diminish Matthew’s hard work to say that it is luck that he is not dead, but there is an element of happy statistics at play too. I listen to these women talk about their dead brothers, and it is real to me how close we came; how lucky we are. Sometimes, I think my parents cover up their raw memories of dread with Republican bootstraps and it was never that bad and stop being so dramatic, you weren’t here! But maybe when you’re in it, or when you’re a parent, you have to do that in order to survive what you’ve seen and how it all played out.

I listen to Nat’s grief – the depth and complexity of it; the nuances of the joy for the things that she experienced with her brother. All we can do is listen. Laly, too, knows that grief in a more intimate way than I do; I merely stood on the precipice and backed away.

It’s different when it’s your sibling, Laly says, It’s the only other person who knows the experience of growing up in your family. Also, it’s out of order.

It is out of order.

I remember my revulsion at the thought of losing the only other person who knew my family experience. He would disappear for a few days and we wouldn’t know whether he was in jail or dead – my mother would obsessively search the county jail inmate register – and I would try on the grief from thousands of miles away; seeing how that heavy suit of loss hung on my little frame.

I realise, now, that when I run, I prepare for every race with the thought of my brother’s first race – of watching him tie on the bandanna from his best friend’s funeral; of hearing his footsteps like a heartbeat beside me. I still dread phone calls after 8pm because I always used to think it was someone calling to say that my brother had died. I wonder why nobody ever dies during the day.

I look at Laly and Nat and wonder how they have borne the loss I narrowly escaped.

When Paul and I were out at the beach with my family this summer, a friend texted that he was in Atlanta with a colleague of his – a sorority sister of mine. I had been her advisor – she’d been in college when I’d taken the call that my brother was in jail and the world was about to end. I laughed and expressed my surprise – he sent me a photo of the two of them together. It was a worlds-colliding moment – strange and wonderful – a reminder of the way we are all connected; how past pain doesn’t necessarily taint future or current happiness/success. The photo came as I was driving back up the coast to see a project my brother was working on; managing in his new life as a builder. Sober eight years, he was working with a friend and he’d asked me and Paul to come see what he did for a living and switch his car back with my mother’s, which he’d borrowed earlier that day.

Paul stayed back in Oxnard, and I drove up to La Conchita to make the switch and see Matthew on the job. To travel that weird bend in the 101 where the sun sets over the coast and blinds you if you time it wrong; to see how far he’d come; we’d come.

As I am sitting in this bar in Copenhagen, thousands of miles from the depths of my brother’s addiction and from that day on the California coast, I think of that moment of seeing my brother at work; of that photo of my two friends; of the bend in the 101 where the sun sets; of the fear in the eyes of everyone around me the day I got the call that my brother was in jail. I think about how lucky I am. I hear Nat ask How do you explain this grief; this loss; to your partner? And I think you can’t explain it; I think your partner won’t ever believe it; I think about how addiction ends and loss is just a snapshot in time, but grief gets you, like a noose, and it works its way around your throat and never really lets you go, even once you are free.


I was twenty-one years when I wrote this song
I’m twenty-two now, but I won’t be for long
Time hurries on
And the leaves that are green turn to brown
Paul Simon

Sarah, Kat, Kim & I are continuing to host Reverb through 2016 as a way to share writing prompts and providing a space for writers via our Facebook group. Here’s September’s prompt. 

September // Back to School: Back when you were in grade school, what were your favourite and least favourite subjects and why?  Did you become what you dreamed you would be when you grew up?  Or did your interests completely change?

I have been best friends with my best friend since grade school. The story of how we met has something to do with her moving to our town, and me offering her some orange candy in the schoolyard (to this day, I love orange candy), and that was that. We were both weird kids in a ticky-tacky suburban town – where all the houses were pink boxes with tile rooves and everyone lived in Planned Communities and swam on swim teams at community pools.

At first blush, my family could have Passed for Normal in that kind of town, because we were waspy, and preppy, and my father had a fancy job where he wore suits and was gone a lot. But my parents were from Elsewhere, and gave zero shits about my social status in the hierarchy of vicious packs of LA County blondes. Jade’s family, on the other hand, had moved south from the Bay Area, and she was a Child Actor, so there was basically nothing she could do except join a swim team if she wanted to be Normal.

But we found each other, and together we were invincible. There’s something special about finding a friend who makes you feel…normal.

Jade and I were both good students – she was more of an artist and I was more of a jock. In school, we were both good at language arts, and because we grew up in the era where if you were so inclined as a kid, you could just kind of disappear from the house all day in the summer, we used to vanish from one home to another and put together our own shows, and films, and dramatic productions. I’d walk or ride my bike to her house (which I now realise was Not Near to Mine, and undertaking this sort of ride as a child of 11 would probably result in a call to Child Protective Services today), or she’d come to mine, and we’d spend all day and night Doing Creative Things.

We were especially clever and creative in the days leading up to the return to school, when I think the anxiety of facing our classmates and peers ramped up in our unconscious. We’d stay up all night singing songs into the tape recorder, or making weird videos on my parents’ giant CamCorder (legendary among these is the night we decided to make a music video to If I Had a Hammer, including an actual hammer, which we shook menacingly at the camera as we lip-synched to Peter, Paul & Mary – totally missing the point of the song – until the head of the hammer shot off the handle and hit the camera lens.)

Even as a good student, there was something about the anxiety of school for me. I was an A+ kind of kid; lots of activities; varsity athlete; a strawberry blonde almost-Tracy Flick. I was good at school, but I didn’t like it. My mother always told me I’d be nostalgic for those First Days, and those dusty halls, and those shitty subjects, but xx number of years out, I still feel relief that it’s over.

So as Jade and I got a little bit older, we expanded the scope of our arts lessons from merely playwriting and filmmaking to interpretive dancing. We were Very Serious Tweenagers in the Greater Los Angeles Area, exposed to too much, but not enough, and so we’d sit on the lawn outside her family’s house, and Make Up Dances.

We were young so we were pretty limited to our parents’ music as the backdrop for our dancing. We’d flip through the tapes and find something “cool.” This usually limited us to the Beatles or Simon & Garfunkel. So we began making up interpretive dances to Simon & Garfunkel songs.

One afternoon, we created an epic interpretive dance to Paul Simon’s Leaves that are Green. We were 12. We practiced and practiced and practiced, and lip-synched our way through the song. For some reason, every dance move became second nature to us and deeply ingrained in both our memories. We very obviously did not understand the lyrics, or what the song was about, because, well, we were 12.

From there, we went on to an illustrious career in interpretive dancing to nihilist songs, including a turn in Eighth Grade Drama class when the actual assignment was to perform an interpretive dance, and none of the other kids even understood what that was. We not only had to debate which one to choose from our extensive repertoire, but selected The Sounds of Silence, and performed it from memory.

This is all a long-winded way of saying, my favourite subject in school was interpretive dance, and to this day, if you ask nicely, Jade and I will still perform The Leaves that are Green. 


Sarah, Kat, Kim & I are continuing to host Reverb through 2016 as a way to share writing prompts and providing a space for writers via our Facebook group. Here’s August’s prompt. 

Nostalgia // Tell us about your favourite summer memories. As the summer winds down, tell us about your favourite summer memories from this year (or any year). We want to see your freckled faces and tanned skin. Show us your summer.

I had to retire my favourite summer dress recently.

It was a strapless dress, and I’d had it for over a decade, so it was beyond salvaging. It was just an old brown dress from Ron Herman that I’d picked up on a trip back to LA after I’d sat for the Bar. I’d taken it all over the world with me; worn it to all sorts of major life events.

I’m not sure it was even attractive, but I felt good in it.

There is something special about a favourite summer dress – mine; anyone’s. It seemed to absorb the smells of salt and sand and sunscreen over the years. The dress was constructed of a simple t-shirt fabric, and had resisted a decade-plus of spills, and tears, and subway grit, and New York City grime. I had used the dress’s length to cover up the nasty case of shingles I’d been surprised with one hot, late summer five years ago. I had sunburned the hell out of my chest while wearing it to my ex sister-in-law’s graduation. It was a sword; a shield. If you know me in person, you probably wouldn’t remember the dress offhand, but you probably have an image in your mind’s eye of me in it.

It had come with me to explore all of China, and jump fully clothed into the sea in Thailand; had travelled all over Chile and New Zealand. We had rung in the New Year in Australia together in 2012, and soaked in blue English nights over warm beer with good company.  I had worn it back to LA one warm late-winter to console my best friend after her house burned down. The dress had been my one constant over my whole tumultuous time in NYC – through husbands, and jobs; change and upheaval. No matter the circumstances or the hemisphere, I could count on slipping into my brown summer dress and feeling like myself.


(After the fire)

A few weeks ago, I found it in the bottom of a drawer. I hadn’t been able to find it all summer, but I knew I had put somewhere last year to remind me to take it to the tailor to have the elastic around the top replaced. I obviously had tucked it away so well, it had avoided notice. The dress was getting on in years and it needed to be repaired; probably replaced, but I wasn’t sure I was ready to part with it just yet. I slipped it on anyway – wrinkled and sagging – on my way between running Summer Streets (my first outdoor run of the season!) and a hair appointment.

During the colouring process, the gown covering me slipped open, and my colourist dripped bleach on my dress. In all my years of being a bottle blonde, that has never happened. But it did, and I knew that it was the universe’s way of telling me that The Dress Was Done.

There is something funny about living in the past; about not merely breathing in the sweet summer smell of a t-shirt dress every year, but clinging to it. There’s something silly and maybe a little sad about patching up a dress that is clearly falling off your body and smells permanently of sunblock, perfume, and faintly of sweat. So when I arrived home from my hair appointment, I changed out of my dress and slipped into a different outfit before meeting some friends for Mostly Mozart that night.

I looked like myself, but different. Older, maybe.

Before I went out, I found my kitchen scissors and I quickly cut two swatches from the bottom of the dress, then binned it. I penned a letter to Jade in California, reminiscing on the night that I’d come to her house after the fire; wearing my off-season summer dress. Then I popped the note in the mail with a scrap of dress; headed off to Lincoln Center and never looked back.

In California, there is a bit of a love-hate relationship with fire. Every year, the wildfires rage and they burn the canyons near my parents’ old house; sometimes hopping the eight lanes of freeway and lapping dangerously near the pink stucco expanse of tract-homes on winding cul-de-sacs. The droughts and the ever-growing brush make this a constant threat. But farther north, the coniferous forests also need the fire to reproduce – some of the old-growth trees, like the Giant Sequoias, need fire to release their seeds from their cones. Fire is part of the renewal process. Other trees depend on periodic fires to clear the choking brush so they can grow.

Jade almost died in a fire about a decade ago; escaping at the last minute, woken up by her cat. A few years after, I dragged her into a brush fire in Yosemite Valley, deep into the Sequoia forests, to climb above the treeline; away from but still inside the inferno.

So it seemed like the right thing to do – to take the dress you wear to the water and you wore to the fire and send it back to where it came from in California.

Being a grown-up is funny, sometimes, isn’t it.


A few weeks ago, I was running late coming back from my riding lesson. My lesson had run long, and the traffic had been bad, and it was the one day I’d ever scheduled something for after. I’d dropped my car at the garage and grabbed a taxi and gone immediately to a hair appointment in my sweaty riding togs. For someone like me, part of the attraction to horseback riding was the outfits. I like leggings and oxfords and little blazers and fuzzy velvet hats and boots. (I am a Hat Person – but that is a topic for another post). Excepting the helmet, I literally wear that exact outfit to the office, frequently.

But that particular weekend was the hottest weekend of the year-to-date. So I was racing to a hair appointment in sweaty skintight clothing, smelling like a horse, helmet in tow.

My stylist tolerated me, managed to detangle my mop, and eventually sent me on my way. By then, the evening had cooled down slightly, and since I had a helmet with me anyway, I thought I should just Citibike home! I was coming from all the Flatiron district and heading to the Upper East Side, so this was a ride of more than 50 blocks. It was just me and the delivery boys out on bikes – it was still a blistering evening; the “cooldown” was relative.

After a few blocks on the bike, I noticed that people were hooting and whistling as I rode past. I checked, quickly, to make sure that I hadn’t split my breeches; that nothing was hanging out. I was riding a Citibike in what was obviously a horseback riding helmet; wearing what were clearly horseback riding clothes. I had strapped my monogrammed boat n’ tote to the front basket and was riding up Third Avenue, looking like I’d commandeered a hulking cerulean steed, mistaking it for the horse I’d rode in on. I rode another few blocks before I crossed the Rubicon of awareness and realised why people were trying to get my attention: I looked like an idiot.

Around Murray Hill, a middle-aged man on the corner screamed Fuck you, Ann Romney! at me, and cackled with delight at his own cleverness.

I finally made it over to the bike lane on First Avenue, and turned on to my street, awash in a mix of embarrassment, amusement, and adrenaline. As I rode down my street, a pizza delivery guy whistled at me long and loud. I made a rude gesture as I locked the Citibike into place; snapped a photo of the bike for posterity (because if you don’t take a picture, it didn’t happen); and headed into my building.


(Predictably, that same delivery man was delivering pizza to someone in my building and I had to suffer through a mildly humiliating, interminable elevator ride with him.)

I learned a lot that day. For instance, merely because one can ride two things in one day using the same equipment does not mean that one should endeavour to be quite so foolish/ambitious. Maybe sometimes I try to do too much and wind up looking ridiculous, even if I do have some fun in the process.

The world has been fairly awful over the past few weeks, and I have no real desire to comment on it at this point. I think we all have a responsibility to ourselves and each other to be actively engaged in current events, but as a privileged, white Western woman, I think I have a lot of listening to do before I start making proclamations about The State of The World.

As recent events have unfolded, I have watched about half my friends take serious political and moral positions and share them on social media. I have watched the other half post photos of something called the Spouse Challenge, wherein they post a bunch of photos of themselves and their spouses to show the rest of us how much they love each other. I have gotten a little bit of crap (some good natured, some not) for not having a Hot Take in either direction.

Because Paul does not use/understand social media, he finds things like the Spouse Challenge deeply intrusive and upsetting. I find them unnecessary. We are the sort of people who don’t sit next to each other on planes because we both like the window seat, so the thought of us posting photos on social media celebrating Our Love in order to prove it to the world is…ridiculous.

We both came to this point in our lives, and this relationship, Gently Used. It would be weird to pretend that I’d never loved anyone before Paul, or that my entire life Up Until This Point had had no meaning, or bearing, on Anything I’m Doing or Experiencing Now.

With all of that said, here is a brief playlist for your enjoyment detailing the past decade of my romantic history, and how I got to where I am now. This has absolutely nothing to do with politics, police brutality, gun control, race relations, or how much I love my spouse.

Okay, maybe a little bit with why I love my spouse.

Bonus points if you can guess which of these songs corresponds to which era.

This is the eighth (and final) piece in a brief series of posts. Here are the firstsecond, and thirdfourthfifthsixth, and seventh.

By mid-June, I am feeling crazed by Not Knowing whether I have the type of EDS that will make my organs rupture without warning, and also by Not Being Able to run now, or potentially ever again.

There is nothing that makes a woman feel less attractive than spending a summer recovering from surgery. My skin and stomach are both taking a beating from the constant onslaught of anti-inflammatories. I have been nauseous for weeks; constantly dissolving Zofran tablets on my tongue. I sleep in long, monogrammed PJs even as the temperature rises because I am sick of looking at the scabby holes in my leg. I’m walking on my own, but my gait is like that of a baby giraffe and I cannot walk for too long without epic fatigue.

These are First World Problems, so I try to power through. I focus on how quickly I am healing; I talk about my progress with physical therapy. I take pictures of the scars and I post them on Instagram because when you are full of holes, you only want people to see the supernova of your body on your terms. I have two constellations of incisions – one on each hip – and a whole galaxy of scars on my right knee from repeated, failed arthroscopies during my days of competitive sports. There is also a several inches-long vapour trail running down the inside of my right leg from my running accident last summer.

I have to do something. I search for any activity that I can participate in that will Take The Edge Off and will not require more medication and that will not bore me. Under the influence of the last of my narcotics and Royal Ascot, I decide horseback riding is the way forward. I ask my physical therapist whether equitation is permissible, and he tells me that it is possible, but not advisable because Meredith, squeezing a piece of horsemeat between your legs could irritate your hip flexor.

I love making dirty jokes, but I do not take his bait because the last time I did that, I wound up announcing to the entire gym that I eat boxes for breakfast! I was talking about my prowess in conquering the eight inch riser they were having me step-up and step-down to prove my quad strength before they’d let me in the anti-gravity treadmill. But I got a few looks that morning.

I spend the next few days scouring the internet for barns that are not too stuffy, that are close to the city, and that accommodate adult beginners.

The last time I rode a horse was when I was leaving my first husband. Jade told me that when I was ready to leave Andrew, I should come home. When I knew it was time, I called my parents to come pick me up at a wedding in Las Vegas and take me back to LA. I had had several moments where I knew my first marriage was over, but that wedding where Andrew had dragged us to Vegas insisting he was the best man in a wedding in which he was not even in the wedding party provided a particular moment of clarity as to the direness of my circumstances.

Once I arrived in LA towards the end of that particular shitshow, Jade took me to her mother’s house. Jade’s mother, Das, is an accomplished equestrienne, and was one of the only divorcees I knew intimately at the time. Das took me out on the trail and we rode for hours and hours. It had inspired me to write a poem about Frederic, and horses, and divorces, which I had shared with him, and which he had praised in that way that made clear he thought it was stupid.

And that was that.

Within months Frederic was legally separated, and so was I and I thought things might go somewhere, sometime. But then he surprised me by telling me that he’d been seeing the Danish girl all that time, and what was I doing, still writing him letters? Didn’t I know that I’d caused a terrible flap between him and his girlfriend because they’d moved in together and one of my letters had been forwarded to their shared abode?

I shrunk back in a special kind of shame, then, when I realised I had left a man who couldn’t handle rejection to the point of refusing to admit he wasn’t the best man in his childhood friend’s wedding, only to find myself sending poems to a man I failed to notice was living with another woman.

I sign up for riding lessons at a farm in Pleasantville, NY near where Paul and I were married. My instructor wears concert t-shirts and has turquoise hair and tells me that I need to feel things; that I will suck at this a little to start; that feeling is first. I cry the first time I get on the horse – a giant gelding called, of all things, Bill – not out of fear, but because I am certain I haven’t felt much of anything in years.

I don’t suck at horseback riding, but I am not instantly good at it, which is exactly what I need. I need something to take my mind off of the EDS; and the whole of my lower extremities.

Hold the reigns up, like an ice cream cone! Tamara the instructor shouts from the centre of the ring, and I apologise for not doing it right. Why are you saying you’re sorry? she asks me, truly baffled, You’ve done this like three times in your life!

With that, I begin to realise how far off the rails I have gone. Literally. Figuratively.

At the end of my first lesson, I sign up for many more because even if I never master the sport, I am coming to terms with the fact that nothing will be the same again, and the future, whatever it is, will be entirely different and wholly Okay.